From discarded bolts and rusted bearings to majestic sculptures admired by Prime Ministers, the art of transforming waste metal into masterpieces is redefining creativity and sustainability in modern India. This blog explores the design process, artistic mindset, and business dynamics behind metal art, drawing from the insights of Deval Verma – a mechanical engineer turned metal sculptor whose peacock sculpture found its place in the Prime Minister’s residence.
Metal art is a fusion of engineering precision, aesthetic intuition, and emotional storytelling. Deval believes that creativity is born out of observation and patience rather than expensive materials or formal education. He recalls how artists like Subodh Gupta and Anish Kapoor elevated everyday materials into global art phenomena – proving that creativity is not about what you have, but how you see.
His philosophy is simple:
“Art for soul and art for stomach both are essential. You can’t create with an empty stomach, nor can you live without creative fulfillment.”
This balance of passion and practicality defines the sustainable journey of a modern artist.
Every metal sculpture follows a systematic creative framework inspired by industrial design thinking:
The process begins with detailed research – understanding the subject’s symbolism, proportions, and attributes. When designing a Hanuman sculpture, Deval studied verses from Sundarkand and Hanuman Chalisa to capture not just physical strength but humility and devotion.
Example: Just as Michelangelo studied human anatomy for his sculpture David, Deval examines mythological and cultural references before shaping his art.
Next, key attributes are listed – body proportions, expressions, emotional tone, and physical gestures. Initial sketches are hand-drawn in Procreate to visualize scale, structure, and balance.
Materials are chosen for both form and symbolism:
Brass for divinity and warmth.
Stainless steel for modern aesthetics.
Mild steel for strength and rawness.
Contrast and texture are carefully balanced to achieve harmony. For instance, in Hanuman’s sculpture, brass was used for the sacred thread and stainless steel for armor, reflecting both grace and power.
Once the blueprint is finalized:
The form is built first for correct proportions.
Fine detailing like facial expression, clothing folds, and ornaments follow.
Each element, from tiny bolts to large curves, is hand-cut and welded – no automation.
The precision mirrors engineering processes, but the emotion mirrors artistry.
The final step involves surface treatment, polishing, and installation. Each sculpture is designed to merge naturally with its environment, much like how landscape architects position public art.
The metal peacock is perhaps Deval’s most celebrated creation – an 8-foot sculpture that blends mechanical beauty with natural elegance. Originally designed for a luxury property, it later gained fame when Prime Minister Narendra Modi chose to keep it at his residence.
Every feather was hand-cut, every curve shaped individually. The sculpture was so lifelike that during a photoshoot in Lalbagh, morning walkers mistook it for a real peacock.
This attention to realism and emotion reflects the power of perceptual design – art that feels alive even in stillness.
While there are no formal courses in metal art, the field offers immense potential for those driven by curiosity and discipline.
As Deval says, “Creativity is like yoga for the brain – you can only expand it through calm focus and breath control.”
Art pricing is subjective and evolves with recognition. Initially, an artist may sell affordable pieces to build visibility. As their work gains traction, pricing scales with reputation, much like how M.F. Husain or Tyler Hobbs (NFT artist) transformed their personal styles into global brands.
Factors that define price:
Social media has revolutionized this landscape. One viral reel can connect an artist with collectors worldwide, eliminating the need for traditional galleries.
Artificial Intelligence is transforming creative workflows, but Deval views it as an ally, not a threat. He uses AI for:
However, he emphasizes that AI lacks emotion and human touch – the very essence of art.
“AI can replicate form but not feeling. It can draw a peacock, but it cannot make you feel its pride.”
Final Thought: Turning waste into wonder isn’t just an art form – it’s a philosophy. As artists like Deval prove, creativity is not bound by medium or material. With imagination, patience, and purpose, even scrap can shine like gold.